Create a surreal cinematic image with an extremely high level of detail based on an attached reference image, where the reference image is the only source of identity for the main character, without any gender association, without identity change and without stylization of the face. Accurately preserve the facial structure, proportions, skin, hair and expression.
The character stands in the middle of a modern city at night, next to an urban river flowing through the streets. The atmosphere is fast-paced but quiet at the same time, as if the city breathes constant movement while the moment around the character freezes.
The character slowly bends towards the surface of the water and touches it with the tip of his finger. At the moment of contact, subtle ripples are created that violate the reflection of reality.
Within the reflection in the water appears the exact same character, but in a completely different version, a full, detailed and realistic werewolf, with rich fur, a sharp gaze and a wild and threatening presence. The transformation exists only in the reflection in the water, while in reality the figure remains completely human.
The scene is illuminated by a strong full moon that feels as if it paints the entire city in a cold, clean silver light. The moonlight creates depth, shadows, and dramatic highlights on the surface of the water and buildings.
The streetlights add warm layers of golden light, which contrast with the cold moonlight and create a rich cinematic contrast. The reflections of light tremble slightly on the surface of the river.
The water is very realistic, with a sense of depth, subtle movement, and natural distortion in the area of contact, emphasizing the gap between reality and reflection.
The scene incorporates a subtle artistic signature of the creator, along with a small flying piglet symbol as part of the visual world, cleverly hidden within the environment, like a secret detail that is only revealed upon second glance, for example in a reflection, in a cloud of light or as subtle graffiti on a distant structure.
The overall style is surreal cinematic realism, shallow depth of field, volumetric lighting, an emotional atmosphere of a split between humanity and savagery, between reality and imagination, between reflection and identity.
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